The ‘Deep Tide’ gig at Sheffield Cathedral on Friday the 14th will be a trio of myself – percussion, Laura Cole – keyboards, and the Norwegian cellist Maja Bugge.
We may be joined by Martin Archer on saxes, depending on circumstances.
I am excited about playing with this these musicians. It will be a first to be playing with Maja.
‘DeepTide’ will be playing The Vortex in London on March 5th.
The Skin & Bone gig in Belper on Saturday the 24th November will be a departure, as we will be joined by the artist Andrew Martyn Sugars, who will be responding to our sounds in real time with projected, dynamic images.
On Friday January 18th I will be doing a solo percussion set at Deda, Derby. This will be at the opening of a 3 month residency at Deda by my friend, the artist Vitor Azevedo.
On the 17th October, I performed with ‘Alchemy / Schmalchemy’ at The Martin Hall Exhibition Space at Loughborough University, as part of the exhibition, Re-Imagining Citizenship. The piece we did was ‘Rhodiaceta (Re-)Response. ‘Alchemy / Schmalchemy’ are myself on electronics, voice and percussion, Gillian Whiteley on accordion, voice & other instruments, and Geoff Bright on bass saxophone and voice. We were working with graphic scores made in response to a film made in 1967 in Besancon in the Rhodiaceta textile factory there. So it was a response to a response. The film was made by workers in the factory, who were striking in opposition to the conditions they were having to endure. This was in the build-up to the student/worker uprising in France, May 1968, especially in Paris. I was there in Paris, staying with students just prior to the uprising, which gave an extra resonance for me in this piece. The piece was filmed and will be shown at another Re-Imagining Citizenship exhibition in Besancon at the Institute Superieur des Beaux-Arts de Besancon there in 2019.
‘Alchemy / Schmalchemy’ will be performing in Nottingham in January 2019. More details to follow.